From Alex Frost 1976
2004
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Margit Endormie, 1989
Photo: Ronald Amstutz
Dia Art Foundation, New York.
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Not to Be the Second Winner
Aldo Rossi chair on base
1987
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Installation view, Monika Sprüth Galerie, Cologne, May 5–July 29, 1995
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Installation
Felt, stool, sculptor’s trestle, copper, tin, wire and rubber
Photograph by Volker Döhne
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Continuous Profile
Sculpture, 2004
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[email protected]
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University of California, San Diego
MA in Art History
Arizona State University
Qualification in Spanish
Universidad de Sonora, Mexico
BA in Art History and Law
Universität Hamburg
Teaching Assistant, Summer 2024, Winter 2025
Visual Arts, UC San Diego
Formations of Modern Art
Teaching Assistant, Winter 2024
Visual Arts, UC San Diego
Media History
Instructor of Record, Fall 2023
Visual Arts, UC San Diego
Formations of Modern Art
Teaching Assistant, Winter, Spring 2020
Visual Arts, UC San Diego
Design of Everyday Things
Teaching Assistant, Summer 2023
Cognitive Science, UC San Diego
Art of the Americas, Africa, and Oceania
Teaching Assistant, Winter 2023
Visual Arts, UC San Diego
German Language
Teaching Assistant, Fall 2022
Linguistics, UC San Diego
Perspectives on a Changing Planet
Teaching Assistant, Winter 2021 to Spring 2022
Sevent College, UC San Diego
Introduction to Art History
Teaching Assistant, Fall 2019
Visual Arts, UC San Diego
Making of the Modern World
Teaching Assistant, Fall 2018 to Summer 2019
Eleanor Roosevelt College, UC San Diego
Art from Renaissance to Modernism
Teaching Assistant, 2018
Arizona State University
Methodologies in Art History
Tutor, 2015
Universität Hamburg
Generative Photography: Imaging at the Intersection of Art and Science. East Tennessee State University, 2025
Imaging the Ocean. Society for Literature, Science, and the Arts, Arizona State University, 2023
Imaging Ecologies and the Technologies of Knowledge. Mundaneum, Mons, within the ERC project Patents as Scientific Information, 1895–2020 (PASSIM), 2023
Patenting Atomic Vision. Linköping University, within the ERC project Patents as Scientific Information, 1895–2020(PASSIM), 2022
Wave Writing: Graphics of the Ocean. School of Art, Arizona State University (invited lecture), 2022
Prior Art: The Lasting Effects of Stroboscopic Light. Visual Arts Department doctoral colloquium, University of California, San Diego, 2021
Capricious Casts: A Woman’s Fate at Hamburger Stadtpark. Keynote, Stadtparkverein Hamburg, centenary of the Hamburg Stadtpark, 2019
Stumbling Blocks: Peter Eisenman in Berlin. Graduate Symposium, Phoenix Art Museum, Arizona, 2017
Layers of Time: Photography by Gjon Mili. 7th Annual Graduate Symposium, Rutgers University, New Brunswick. 2017
Park Pioniere: 100 Jahre Hamburger Stadtpark, Museum für Hamburgische Geschichte. Curator, 2014
Taktgeber Hafen, Museum für Hamburgische Geschichte. Project assistant, 2012
Chinese Contemporary Art, Galerie Ritthaler. Co-curator, 2012
Inge Karsch: Paintings, Galerie Ritthaler. Co-curator, 2012
Otto Mueller: The Graphic Work, Galerie Ritthaler. Co-curator, 2011
FENOMEN IKEA, Museum für Kunst und Gewerbe Hamburg. Co-curator, 2009
Kinderreich, Museum für Kunst und Gewerbe Hamburg. Curatorial assistant; Europe’s first design museum for children, 2007
FULBRIGHT Fellowship
Böttcher Young Curators Fellowship
Stiftung Historische Museen Hamburg
MMW Disability Advocacy Award
Eleanor Roosevelt College, UC San Diego
as well as Samuel H. Kress Foundation Travel Grant , Association of Historians of American Art Travel Grant, Russel Grant for Field Research, Dean of Arts and Humanities Travel Grant, Visual Arts Travel Grant.
by Tincidunt Nisl
2024
‘Ullamcorper Faucibus (Congue) Euismod’, by Ligula Parturient, Bibendum Review Porta Libero
2023
Dictumst Tristique, Facilisis Magazine, Edition Two, Porta Libero
2021
Auctor Adipiscing Art Magazine, Porta Libero
2020
Sollicitudin Ornare Magazine,
Porta Libero
2020
Last Updated September 2026